The female counterpart is a quaintrelle. In the 1810s, when dandy had a more immature definition of "fop" or "over-the-top fellow", the female equivalents were dandyess or dandizette. Charles Dickens, in All the Year Around (1869) comments, "The dandies and dandizettes of 1819-1820 must have been a strange race. Dandizette was a term applied to feminine devotees to dress and their absurdities were fully equal to those of the dandy." In 1819, the novel Charms of Dandyism was published "by Olivia Moreland, chief of the female dandies"; although probably written by Thomas Ashe, "Olivia Moreland" may have existed, as Ashe did write several novels about living persons. Throughout the novel, dandyism is associated with "living in style".Later, as the word dandy evolved to denote refinement, it became applied solely to men. Popular Culture and Performance in the Victorian City (2003) notes this evolution in the latter 1800s: "...or dandizette, although the term was increasingly reserved for men." Female dandies became extinct and then went on to develop their own distinct philosophy, quaintrellism, apart from male influences.Possible 19th century quaintrelles could be found in the demimonde, in such extravagant women as the courtesan Cora Pearl, while the Marchesa Luisa Casati lived a dandy's career in post–World War IVenice. Analogously, the artistic diva might be considered a quaintrelle. Possible 20th century quaintrelles include Coco Chanel and Lady Annabel Goldsmith. >> By WikiPedia

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